![]() ![]() If the name on the Credit Card and/or ID does not match the tickets, or if you do not have both the credit card used to make the purchase and government issued identification, you will be denied entry to event without a refund.Ĭovid Policy: No credit or refund will be issued as a result of the ticket purchaser or any person in the party contracting COVID-19 or a variant alike. ALL SALES FINAL: There are NO REFUNDS, NO CANCELLATIONS, no credits, no exchanges, and no transfers after the order has been made.Ĭredit Card & ID: You must present the original credit card used to purchase the ticket and a valid Government Issued Photo Identification (along with your e-tickets that have been emailed to you via Eventbrite when your order was placed): the name on both the credit card and ID match the name on your purchased tickets, in order to gain entry to the event. Our obsession with it would appear to be, ironically, reaching a point of excess.PURCHASE POLICY NO REFUNDS OR EXCHANGES. The story has been told and retold to the point of parody. It may be time for this much-adapted novel to sit on the shelf for a while, until a time when it can be truly reinvented. If certain scenes from the film appear to be lifted from the Redford version, it's possible that there simply aren't many other ways to approach the material. The actor brings a period-appropriate quality to the role and, despite his significant flaws, comes off more true to himself that the phonies with which he surrounds himself. ![]() Oddly, it's Tom Buchanan, the abusive cad, that comes out most memorable in the film, thanks to a well-modulated performance by Joel Edgerton. In fact, his initial meeting with Daisy is played for outright comedy. ![]() This Gatsby wears his insecurities on his pink-hued lapels. DiCaprio is able to find more of a character in Gatsby than Mr. While he's never comfortable delivering the character's signature "Old Sport", Mr. DiCaprio as Gatsby makes perfect sense - as did casting Robert Redford in the stilted 1974 version. Nick's over-used voice-over, and dialogue that's too on-the-nose ("I'm empty inside, maybe that's why I fill my house with so many things"), make his scenes feel as staid as the parties are vibrant.Ĭasting Mr. Maguire's Nick starts out strong but his role as narrator and observer holds him back. As Daisy, Carey Mulligan is radiant, but her character is too much a function of the plot to ever coalesce into a sympathetic figure. That is, until, she meets Gatsby with whom, it turns out, she has a history.ĭespite the novel's legendary status and ostensible commentary on excess, the core of the story is a bit of a soap opera. Tom's a racist and womanizer, and Daisy seems resigned to her fate with him. Across the bay from Gatsby's mansion live Tom and Daisy Buchanan. Less effective, though, are the longer expository sequences, many of which seem taken verbatim from the novel. The scenes have a palpable quality to them - you're as close to being in the moment as any filmmaker could hope. And it's here that the director uses 3D technology in a way that's entirely his own. Luhrmann is at his most comfortable the party sequences make those of " Moulin Rouge" look positively quaint. Luhrmann stages these bacchanals as a kind of proto-nightclub scene where music pounds, champagne flows, confetti falls, and every night ends with a fireworks display. His neighbor, it turns out, is the titular tycoon (Leonardo DiCaprio) who's prone to throwing lavish parties that are the movie's energetic centerpiece. As in the novel, the film finds hapless, struggling writer Nick Carraway (Tobey Maguire) moving out to Long Island to to be a bond salesman. Luhrmann brings to life 1920s New York as only he can - with sweeping establishing shots, wild jump-cuts and a soundtrack that's a potpourri of jazz, hip hop and everything in between (courtesy of Jay-Z and some famous pals). Scott Fitzgerald's story of the mysterious Jay Gatsby feel at once amplified and minuscule. The director's unique ability to mash-up genres and influences makes F. Throwing the story of "The Great Gatsby" into the mix, however, turns out to be less of a success. The combination of Baz Luhrmann - he of the "spectacular spectacular" - and the current trend in 3D filmmaking is a match made in cinematic heaven. ![]()
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